CES 2016 - An overview

Perhaps the CES no longer has the status it had a few years ago, but the Las Vegas trade fair is still the first major industry event of the year and many manufacturers use it to present their news to the world. We were there and present the most important topics and highlights.

And another label: Ultra HD Premium

It's getting confusing ... With "Ultra HD Premium", the Ultra HD Alliance has launched another certification for televisions and a matching logo. This approach is praiseworthy, because the new label summarizes a few points that are supposed to promise TV enjoyment at the most modern technical level. In order to be allowed to carry the logo, televisions must have a native Ultra HD resolution of 3840 x 2160 pixels, master HDR playback and support 10-bit color processing including the extended color space BT.2020. Indirectly, the requirement of HDR also stipulates minimum values for brightness and contrast range, but especially in this regard the manufacturers will probably continue to outdo each other with artificial laboratory values. So whether the new logo once again only says something about compliance with certain technical standards or actually becomes a real seal of quality remains to be seen.

4K players start cheaply

While there is nothing really new to report in terms of 4K films, there was at least more specific information about the first available players in Las Vegas. Both Samsung and Panasonic announced that they would be launching the first Ultra HD players in Europe "in spring". The good news: With prices, the worst fears will not come true. Panasonic names a starting price of "less than 1,000 euros" for its DMP-UB900, Samsung's UBD-K8500 can already be pre-ordered in the USA for 400 dollars and should therefore not cost more than around 500 euros in Europe.
Panasonic's first Ultra HD Blu-ray player: DMP-UB900, will be available in spring 2016

Ultra HD is normal

Ultra HD or 4K has finally arrived in the mainstream. Apart from a few exceptions, all reasonably high-quality new televisions in 2016 will have panels with 4 times the FullHD resolution, and many new models have already established that they will meet the specifications of Ultra HD Premium. Among the numerous announcements in the TV sector, the future top lines from Panasonic and Samsung seemed particularly interesting to us. Both the Panasonic DX900 series (in sizes 58 and 65 inches) and the Samsung KS9090 series (49, 55, 65 and 78 inches, introduced in the USA as the KS9500) meet the "Ultra HD Premium" specification and otherwise have modern technologies that promise the best picture. We are excited!

Samsung KS9090: High-quality curved TV with "Ultra HD Premium" certificate and an almost invisible edge With the KD-75XD9405, Sony has also presented at least one new 4K television that, according to the data, should receive the "Ultra HD Premium" seal, however, the certification has not yet been officially confirmed. It is also interesting that the Japanese manufacturer will completely say goodbye to its "wedge design" and the speakers mounted to the side of the picture. The Sony TVs of 2016 will look just as slim and slim as the TVs from other manufacturers, but will also lose a good deal of independence as a result, not to mention the good sound.

And what about OLED?

Yes, for a long time OLED has been praised as a healing technology in terms of image quality. And yes, the potential of the technology is still there, especially in connection with the high contrast requirements of HDR. But somehow the manufacturers seem to be running out of breath, especially since the further developed LED / LCD technology is no longer lagging behind in terms of quality. Only LG presented real OLED innovations, namely eight models in the G6 and E6 series (55 - 77 inches), as well as the Signature Ultra HD OLED TV, which is only 2.57 mm thin. Panasonic also showed the 65CZ950, as it did at the IFA, and is sticking to its plans for an early market launch.

MQA - New Standard for Better Streaming and More

While the general media are showing at least polite interest in the TV area at CES, there has been a noticeable calm around HiFi and listening to music in Las Vegas. Other events, such as the Munich High End, have long since overtaken the CES as a global platform and the hallways in the Hotel Venetian, where most of the hi-fi exhibitors have been gathering for several years, were now almost alarmingly empty. But that doesn't mean that there wasn't any exciting news to discover here, on the contrary. The most discussed news was not primarily about new products, but rather about a new standard called Master Quality Authenticated, or MQA for short. This format was developed by none other than the digital hi-fi specialists at Meridian Audio and was presented at the last CES and at the High End 2015. To put it simply, MQA stores high-resolution music data up to 192kHz / 24Bit in such a clever way that the resulting file (FLAC, WAV, ALAC) is not significantly larger than a CD-quality recording with today's methods. That would simplify the download of the relevant files and, above all, mobile music streaming of high-resolution recordings would then also be possible, since the transmission speeds are no longer so high. Just in time for the start of the trade fair, Tidal announced that it would be launching a high-resolution streaming offer based on MQA in 2016, but without giving a specific date.

Video: "Music Origami" - Bob Stuart (Meridian) explains MQA:

This is good news for the mobile hi-fi fan, but it also means that new hardware must be purchased, because MQA has to be decoded by the D / A converter used. With some existing products like the Auralic Aries this should be done with a simple software update. In addition, the first "MQA-ready" or MQA-compatible devices have already been presented in Vegas, including the Pioneer XDP-100R media player, the smartphone HTC One A9 and of course the mobile headphone amplifier Explorer 2 from Meridian.

Vinyl as a driver of innovation

It's no longer news that the good old vinyl records are enjoying a real renaissance. This can also be seen in the many new turntables that premiered in Las Vegas. We were particularly impressed by two of them, namely the long-awaited Technics SL-1200G and the absolutely unexpected new Sony lathe called PS-HX500. First of all, it is surprising enough that the industry giant Sony also wants a piece of the turntable pie and is developing a new model especially for it. The finished product also makes a solid impression at first glance, offers a belt-driven plate made of die-cast aluminum and a permanently mounted tonearm with MM cartridge. But it gets really exciting when you look at the inner values of the HX500. Because the Japanese are clearly targeting the target group of newcomers and those returning to the subject of vinyl and have therefore given their turntable an integrated phono preamp to make the connection to the existing system as easy as possible. But that's not all, the PS-HX500 also has its own A / D converter with which the played record can be recorded in high-resolution digital quality on a connected computer, either as a PCM or even as a DSD128 file!

A sight that you have to get used to: Record player Sony PS-HX500 with USB connection The case of the new record player from Technics is completely different. The legendary DJ model SL-1201 achieved real cult status and is still listed in the Guiness Book of Records as the longest-built consumer electronics product. The robust construction was not only able to convince in tough disco use, equipped with a high-quality pickup, the "twelve-tenths" also earned a lot of real fans among hi-fi fans. Accordingly, the sadness was great when brand owner Panasonic ceased production of the SL-1210 in 2010 and thus the Technics brand finally ceased. But since it was announced in 2014 that the brand would be revived in the hi-fi segment, there was hope that it would soon be possible to buy turntables with the sonorous name again. Especially eager fans even started several online petitions for this purpose, some of which found tens of thousands of signatories. Apparently, this has not gone unnoticed in far -away Japan, and the new SL-1200G was presented in Las Vegas just in time for the 50th anniversary of the brand.
Although a few basic virtues of the 1210 have been copied from this completely new design, the overall package has changed very significantly in the direction of high-quality hi-fi. The heart of the turntable, which is still directly driven, is a newly developed motor with twin rotor, which promises the highest level of precision in terms of rotation speed. This motor drives a three-layer plate in which a layer of cast brass is connected to a layer of aluminum and combated by means of a vibration-absorbing rubber layer. Even more construction work is done on the housing: Here a solid, 10mm thick aluminum plate rests on a sandwich made of die-cast aluminum, the fiber composite material BMC and again rubber for damping. The particularly light tonearm made of aluminum tubing rests on a gimbal bearing known from the old 1200, but refined. Technics leaves the buyer free choice for the pickup, as the SL-1200G will be delivered without a system. Speaking of 'delivery': The regular version of the new record turner should be available by the end of the year, so far only a rough price range of "around US $ 4,000" is known. In May, however, an Anniversary Edition called the SL-1200GAE, limited to 1,200 units worldwide, is to be offered with a slightly different look and a noble magnesium tonearm. We will keep you up to date with any new information here .
The new TT5 tangential tonearm from Clearaudio was shown in advance at the AUDITORIUM last year, and the rest of the world was able to marvel at it in Vegas. The elaborate construction was shown at a Clearaudio performance, with another innovation from the German turntable specialists being used: The new Swing Base elegantly solves a system-related problem of tangential constructions. With it, the entire tonearm can be swiveled backwards by 90 °, so that you don't have to "thread" the record horizontally between the tonearm and the turntable.
The new TT5, mounted with the Swing Base on a Clearaudio Performance

Small big sensation (s) from Audioquest

The cable specialists from California have been "poaching" successfully in other areas for some time, such as the USB-DAC Dragonfly , the extremely neutral Nighthawk headphones and the USB suppressor Jitterbug . While in Las Vegas only nebulous hints could be heard regarding some innovations around the Nighthawk, the long-awaited successor to the Dragonfly was presented there. More precisely, there are two successors that go by the names Dragonfly Red and Dragonfly Black and represent completely new developments. A new D / A converter chip is used in both, embedded in likewise new electronics. The new chip decodes music data up to 96kHz / 24Bit like the one used in the predecessor, but promises a much better sound. In the "Red" model, a digital, bit-perfect volume control, together with even better electronics, should ensure a further sound improvement. But the real sensation is that the new chip architecture in both the Black and the Red will drastically reduce the power consumption of the Dragonfly. To the point that the new USB DACs can also be used on a smartphone without any problems. With the predecessor, iOS devices completely refused to work because of the high power requirements, while it generally worked on Android devices, but drained every battery extremely quickly. The new versions now consume a whopping 77% less power and should therefore (in conjunction with an Apple Camera Connection Kit or an OTG cable for Android) represent the smallest DAC solutions for smartphones. What that means in concrete terms, Audioquest demonstrated quite impressively during the CES: The Nighthawk, which was played continuously on an iPad over a Dragonfly Black, reduced the battery charge to just 65% within 32 hours - that's more than remarkable!

Two successors for the undocked Dragonfly: Here the high-quality Dragonfly Red
The Dragonfly Black is now also suitable as an ultra-mobile headphone amplifier for iOS devices

Lots of new things at Burmester

The first CES without Dieter Burmester certainly marked a special event for theBerlin high-end forge in many ways. And that too, because with the unusual complete system phase 3, one of the last projects launched by the company founder who died in 2015, will soon actually see the light of day. In addition to a revised version of the red phase 3, the black version, for which a separate stand system was designed, was also shown for the first time. Other highlights of the Burmester Suite in the Venetian were the network player 150 , the compact Musiccenter 151 and the speakers BA31 and BA71 .

The Burmester system phase 3 is optically and technically a statement
In black and with the changed feet, phase 3 has a completely different effect with the same technique
This is how Burmester is traditionally known

Celebrities and rock 'n' roll at Chord Electronics

The Chord Electronics team once again demonstrated the courage to try something unusual in Las Vegas. In order to offer the brand-new Super-DAC DAVE an appropriate playing environment, the amplifier electronics offered the best that their own range could offer. Together with the loudspeakers provided by Vienna Acoustic, there was a system on the 35th floor of the Venetian with a total value of almost 200,000 euros. At the special request of company founder John Franks, this extremely powerful system was used on the first day of the fair to pay tribute to Motörhead frontman Lemmy Kilmister, who had just passed away. And so loud that the hotel guests in the surrounding rooms and floors are guaranteed to benefit. Rock on!

Chord at the CES 2016: Exactly the right system for a Motörhead tribute In a second room it was usually much quieter, because here was the complete current DAC program of the British - from the small Mojo to the siblings Hugo and Hugo TT , up to the DAVE - ready for extensive rehearsals with high-quality Audeze headphones. And two music legends made use of this opportunity during the CES: Graham Nash (Crosby, Stills, Nash) enjoyed his new album in a perfection that was probably previously unheard of outside the studio, and also "Def Jam" founder and cult producer Rick Rubin was impressed by the incomparable sound of the chord converters.
"That sounded exactly like the recording in the studio!" - Graham Nash was amazed at the abilities of the little mojo

Consistent further development at T + A

For the Herford hi-fi specialists, the American market and thus also the CES is traditionally very important. That is why Siegfried Amft and his team performed the best that they currently had to offer with the still hugely successful HV series and the current R series. The DAC 8 DSD was also a real innovation. What sounds very modest like a facelift of the well-known DAC 8 is in reality an enormous development step. Because T + A does not rely on an off-the-shelf DSD solution here, but has developed its own converter technology and uses a real 1-bit DSD converter. Video: T + A chief developer Lothar Wiemann presents the DAC 8 DSD:

Dali: Successful Opticon series and expansion of the Rubikon series

In autumn last year, Dali presented the revised Opticon series in Europe and also concentrated on this new entry into the world of Dali loudspeakers in the USA. The star of the demo was of course the Opticon 8, which is not much inferior to its bigger Rubicon sisters in terms of features or sound. Apropos Rubicon: The new Rubicon Vokal Center was a real novelty for home cinema fans in this series.

Home cinema extension of the Rubicon series from Dali: Center loudspeaker Rubicon Vokal

Noble from Audionet

Strictly speaking, Audionet's Bochum-based company presented its innovations not officially at the CES, but in the Mirage Hotel across from the Venetian. In the huge suite they found space to show a large part of their current range, and with the CD player / DAC Planck and the sensibly named integrated amplifier Watt, two prototypes that will be available later this year were on view. The Planck will have an extremely high-quality drive and a dual mono D / A converter that can also process data up to 192kHz / 24Bit from external devices and USB. The next stage of development of the "Ultra Linear Amplifier" technology will be used in the Watt. We can look forward to an output of over 250 watts per channel (at 4 ohms), supplied with stable load from two separate toroidal transformers.

Conclusion: That was CES 2016

The times when hi-fi and TV were the top headlines in CES reporting seem to be over for the time being, even smartphones hardly attract journalists behind the stove. Self-driving cars of the future, health and fitness applications and surprisingly stupid smart home solutions dominate the headlines. But if you take the time to look behind the bombast of the large exhibition halls, you can still find a lot of exciting news about the hobbies hi-fi and home cinema. Because there is one thing that should not be forgotten in view of the changing trade fair orientation: The "classic" consumer electronics markets are still functioning, and occasionally even with very surprising growth successes (see e.g. the vinyl revival). Only: The CES is certainly no longer the most important hi-fi trade fair of the year, because we now have it in our own country, so practically on our doorstep. And if you take the numerous tongue-in-cheek references to the High End in Munich as a benchmark, we can already look forward to an extremely exciting trade fair in May.